A Companion to the British and Irish Short Story by David Malcolm

By David Malcolm

A significant other to the British and Irish brief tale offers a complete remedy of brief fiction writing and chronicles its improvement in Britain and eire from 1880 to the present.

  • Provides a finished therapy of the fast tale in Britain and eire because it built over the interval 1880 to the present
  • Includes essays on subject matters and genres, in addition to on person texts and authors
  • Comprises chapters on women’s writing, Irish fiction, homosexual and lesbian writing, and brief fiction via immigrants to Britain

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For wild sensations” and “opened doors of escape” (13). Apparent in this description are the seeds of a contradiction common to the adventure genre generally and to turn-of-the-century colonial short stories particularly: their attraction rests on their breaking of the ordered social life of the mother country, whose stifling of heroism is implicitly acknowledged even as the ostensible purpose of the adventurous action is precisely to extend the boundaries of that social order, and the reward of successful adventure is a return to the mother country.

1995). Colonial and Post-Colonial Literature: Migrant Metaphors. Oxford: Oxford University Press. S. (1996). “Of England, Home and Duty: The Image of England in Victorian and Edwardian Juvenile Fiction,” in J. ), Imperialism and Popular Culture, pp. 73–93. Manchester: Manchester University Press. Bristow, J. (1991). Empire Boys: Adventures in a Man’s World. London: HarperCollins. Dawson, G. (1994). Soldier Heroes: British Adventure, Empire and the Imagining of Masculinities. London: Routledge.

British and Irish Short-Fiction Writers, 1945– 2000. Dictionary of Literary Biography, vol. 319. Detroit, New York, San Francisco, San Diego, New Haven, Waterville, London and Munich: Thomson/Gale. A. (1979). “The Short Story in England: 1930s Fiction Magazines,” Studies in Short Fiction 16/1 (winter): 233–40. 15 Maunder, A. ) (2007). The Facts on File Companion to the British Short Story. New York: Facts on File. E. (1976). “The Unique Effect of the Short Story: A Reconsideration and an Example,” Studies in Short Fiction 13: 289–97.

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